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Pizza Parlor
Six red booths and a sky that isn’t orange anymore
Nothing lasts but just about everything lingersI’m not a night owl
I don’t get the worm eitherI’m just preening in the restroom mirror
making sure I still existSix red booths and a sky that isn’t orange anymore
Oily fingerprints dapple vinyl seatsMy teeth are chattering
clackingWith a rhythm as unique as my heart’s beat
As manic as a coked out woodpecker at the typewriterHe’s got a midnight deadline
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Review: Pamela Anderson’s “Love, Pamela”
Feminine Fame and the Power of Voice: A Love, Pamela Review
The life experience of an absurdly beautiful woman is a unique one. One we come to know through photos on magazine covers, clips in films, the words of the men who desire her. We’re familiar with the sex symbol as a tragic figure, and as a silent one. Pamela Anderson’s memoir offers the opportunity to hear the whole unfiltered voice of the empathetic, insightful, passionate, poetic woman inside the sex-icon. Part memoir and part poetry collection, Pamela’s unique spirit shines from the pages of Love, Pamela – and shows us why she’s a woman we keep watching.
Pamela’s memoir is an insightful look into her life, from her humble childhood in small town Canada to her Broadway debut as Chicago’s Roxie Hart. The part of Pamela Anderson that the world is comfortable with, her body, her sexuality, her vivaciousness – is only a fragment of a powerful and complicated woman. From her reign as pop culture sex symbol, to tabloid fodder, to having a tape of her and her husband having sex stolen from her home and released to the world, often Anderson’s image and the narrative surrounding her life was outside of her control. She understands better than anyone that people see you the way they want to, and it will rarely be the truth. With that understanding, Pamela has had the ability to weather mistreatment, exploitation, and disrespect, because throughout it all, she never lost sight of who she was. She writes about her romances, her modeling, and her writing in a way that is both wistful and frank, and reverberates with the spirit of an artist.
A true natural beauty and longtime fashion muse, Pamela’s freedom of self expression and honest approach to her style has evolved and grown with her throughout the decades. You might know her from her role on “Baywatch”, her modeling in Playboy, or more recently in the Paris Fashion Week headlines where she has been going makeup free. In a celebrity culture rife with retouching and blurring and tucking, Pamela still walks her own path.
There’s a temptation to look at a beautiful woman and say her life must be fabulous and easy because of the way that she’s desired. But the reality of the Hollywood machine chewing up and spitting out blonde beauties from humble beginnings, like Marilyn Monroe and Britney Spears, is a story we know all too well. Pamela’s story doesn’t end in ruin. At fifty-five she’s happily living in her home town in Canada, having raised two boys, and she’s sitting down to write the story of her life. Her life begs the question: how did she survive?
Anderson describes finding refuge in her journals and in seeking the company of artists and “wild people”, people who she felt understood her and she could be herself around. Armored with a strong sense of self, books and her pen, and a deep feminine strength, she never lost her voice, whether the world heard it or not.
Pamela’s voice, like her, is one of a kind. She’s a natural lifelong storyteller. She describes herself as a dreamer, and as someone who learned to live in fantasy at a young age. She writes honestly and unpretentiously. The book is interspersed with stanzas of her poetry that give the reader space to slow down and breathe in the midst of the rapid twists and turns of her life. Her poetry is simultaneously dreamy and sincere. Reading the chapters, it feels like you’re sat across from her at lunch while she tells you her story. Reading her poetry, it feels like you took a nap beside her in the sun, and her dreams came to co habitate with yours.
I picked up Love, Pamela because I watched a Variety interview where she describes how agents and publishers didn’t believe that she could write a book, and she says “I’ve been a writer my whole life / I know I can / I like proving people wrong”. That was enough for me to want to read her book. I saw myself in her at that moment, and I think any writer and any young woman could.
Reading her story as a young woman, feminine wisdom pours from the pages. I want to send this book to women in my life. I want to talk to my mom about it. I want to scream from the rooftops that people should know her story. We have so little of the voices of unencumbered and vivacious and sexual women, because for some reason we have such a hard time believing a woman can be sexy and of substance. Sex makes the world go round. It’s the creation of life, it’s the expression of love. It’s the most substantive thing that people do. So why is it so difficult to look at a bombshell in a bathing suit and believe that there is more to her than her body? Why do we think that because all we think when we look at someone is sex, that that’s all there is?
Pamela Anderson’s life is a product of its time, and as a sex symbol, learning how the world treats her shows a lot about how we think about women and how we think about sex. There are a lot of things to take away from Love, Pamela. Not least of all is the message that societal attitudes towards beauty and sex matter and can shape your life in significant ways, but the most important attitude is the one that you hold. Pamela never stopped breaking convention, she never stopped dreaming, and she never stopped being sexy.
A true natural beauty and longtime fashion muse, Pamela’s freedom of self expression and honest approach to her style has evolved and grown with her throughout the decades. Recently Pamela has been making waves going makeup free at events such as Paris Fashion Week. In a celebrity culture rife with constant retouching and blurring and an obsession with perfection, Pamela still walks her own path.
The release of her memoir coincides with the release of Pam and Tommy, a Netflix show about her marriage to Tommy Lee Jones, the sex tape that was stolen from their home and released to the world, and the ensuing scandal and media circus. The project didn’t involve or consult Pamela, and she has not watched it. Even as this incredibly painful chapter of her life is being dragged up again and profited from, Love, Pamela isn’t a memoir written with something to prove or a record to set straight. It’s the memoir of a woman who’s story is her own, no matter what anyone’s heard – or seen.
Many sex symbols before her have never had the opportunity to share the story of their lives. Her story is filled with sorrow and with glamor, and with a powerful message about what people can take from you and what they can’t.
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Thumbs
“Thumbs”
The first time I ever hitch hiked, I didn’t have anywhere to go.
I paced up and down the shoulder of highway 40, trying not to look too aimless, or too murderous, or too delicate, trying to tell my elbow to raise and my right thumb to stick sturdily into the air, looking like the thumb of a girl who hitches, and who has a knife in her pocket. I had something figured about how if I was going to do this whole life thing right, at some point I was going to be hitching. I didn’t want to need to get there and find my elbow locked. I never wanted to be a girl who couldn’t move when she needed to.
It was a new knife, a new weight in my breast pocket. I didn’t like that, that I’d never used it. I shifted my pony tail from one shoulder to the other and thought it must be painfully apparent to anyone who took a look at me that I’d been standing in line at Ace Hardware an hour ago, fidgeting in my place behind sullen men buying drill bits and chicken wire.The woman at the register had been friendly, in a way I had learned how to recognize here. She was old, and her eyes never met mine. She almost chuckled when I put the knife on the belt, it was more like a cough. The chip reader chirped, and I asked her if she knew where I might be able to buy a book around here. I’d only moved here two months ago, and only with two suitcases. I was regretting that in all the space used up by winter gear, I hadn’t had room for anything to read. She tossed her eyes high and to the left, thinking about it earnestly, “A book?”, before telling me to check out the Safeway, “I know they’ve got some magazines and things there.”
It took three tries to get my thumb all the way up, five to get it to stay up for more than a few seconds. It was ninety seconds before a teal sedan rolled to a stop a dozen yards ahead of me.
* * *
The second time I ever hitch hiked, I wasn’t alone.
I’d picked up a boy named Francesco to come along with me. It’s funny how now I don’t remember how I met him, only that I did, and that I liked to watch him hand roll those skinny little cigarettes. The ones we’d smoke with the food trucks behind my hostel, walking along the stretches of pavement beyond the bus lines, cradled in the sand circling the fading fire.
* * *
To reach the valley of WinterPark, you drive up Berthoud Pass. You heard a lot about it, in the ski instructor locker room – “I’m getting down to Denver tonight before this storm hits” “Jim’s not coming in today, pass is closed”, at your second job – “No milk today, so no lattes, the delivery truck couldn’t make it up the pass”.
When I arrived in Fraser for the first time, the postage stamp town where the Winter Park Ski and Ride School had given me a room of employee housing, I had driven up through the night. I credit this for some of my initial disorientation, I didn’t understand just how far up we all had climbed, and how deep we had snaked our way into the mountains. Maybe if I had grasped through my windshield the pitch of the drop inches from my tires, I wouldn’t have been so surprised on my first morning when the sun sliced into my new bedroom, white and piercing, slamming through the gaps in the thick black-out curtains that hung crooked from their rod. Instead I had swum up into a sky inky black, and under the cover of a moonless night failed to notice the sun had become close enough to touch.
The valley was divorced by the Rockies from any reality I had ever known, the pass a tenuous tie to the strange conglomeration of tiny figurines littering the landscape. Earnest mountain people, ski bums, tourists who stayed in the brick paved little village of t-shirt stores and ski-rental shops and two hotels.
That’s where Goody’s Cafe was, where I got a second job hawking “Wholesome Mountain Food” crepes and burgers, to all united by the call to shred as they stalked stiff and sore off the gondola when the lifts closed at four. My manager James was an alcoholic from North Carolina. He called the mountain his chiropractor, and broke his collarbone at least twice a year. He wore wife beaters under a peacoat, he was a political science major in college (like me!), he was trying to grow a goatee, and one time when I was in his apartment watching the line cooks snort lines off his kitchen table he said the N-Word 67 times. I was stoned and I was counting. I really appreciated his hands off management style.
My favorite shifts were the mornings. I’d wake up at 5, and by 5:30 crawl up the icy hill to the bus stop, where I’d stand under the night sky and watch my breath, waiting for the tell tale throttle of the morning commuter bus crunching around the corner. There I could find my place as another half dreaming lump slouched against her seat. Once I’d gotten fired from ski and ride school, I was working mornings five days a week. Most days there were only two or three other people sliding together on our lurching bench. Some days there was a couple there. A dark haired woman and a translucent man leaning into one another. I’d half dream that I was sat between them.
There was a lot to like about the mornings. I liked that I was the first one in, and got to start the fresh coffee alone. I liked that I had plenty of time to experiment with our latte flavors, and plenty of time to drink way too much caffeine. I liked that the liftees would come in before their shifts started, and that I got to give them free coffee and day-old cinnamon buns. I liked that they told me about the conditions on their runs, and that when I got off at noon and found myself in their lift lines they’d give me a fist bump, or let me cut ahead. I liked that I got to touch everyone’s excitement as I helped fuel the morning rush for a day on the mountain. I liked the way the sunlight would stream through the cooks window around 8:30 and dance through the steam rising off the grill.
I had come to think of the valley as something of a snow globe. It was the coldest place I’d ever lived, and the brightest. The air was crisp and the sky balanced on the tips of the peaks surrounding us. Standing in the parking lot of the grocery store would have you holding your breath at the majesty of the snow caps dusted in the pink of a setting sun. It was both a pocket of wilderness in the Rockies, and a company town. It was the wildest place I had ever been, and the place with the greatest sense of community. There was no one in Winter Park by accident, everyone here had run here. Most were sprinting open armed towards the independence of open mountain, more were running from their pasts on lower grounds. All our lives moved to the rhythm of the next storm. It was the most familiar I’d ever felt with the unknown. It was this sense of an altered reality that let the words of the people like the firefighters soak in properly.
* * *
It was on the second day that I knew Francesco that we decided to go find a stretch of island to hang our hammocks for the next night. One where the surf would break just right. On the morning of the third day I was mulling over that decision, wondering if agreeing to sleep outdoors with a strange man on a strange island was more suicidal than free spirited. I consulted my new bunkmate. Her name was Sarah. She had short blonde hair, and open blue eyes, and the voice of a boy but the laugh of a little girl. We had biked together to the farmers market on the other side of Honolulu on rentable bikes, half racing each other up the winding hills.
We were sitting on a curb, devouring a cup of mango between us with toothpicks, waiting for our number to be called from the sandwich bodega.
“Do you think he’s expecting me to sleep with him, because we’re, you know, sleeping together?”
“Oh maybe. Are you guys sharing a hammock, or do you have your own?”
* * *
One of the great things about my snow globe was the free bus service. They called it “The Lift ” and all the stops had retired ski lift chairs for benches. They brought the liftees and the housekeepers and the ski instructors to work, and the tourists and their skis and boards back to the condos they rented. It brought me to and from work everyday, and home from the bars. I think as fondly of the time I spent circling the valley on those buses as I do the time I spent perched on chairlifts gliding with the pine needles. I was happy to be hung in the space between runs and between days.
Maybe sixty percent of the time I was on the bus I found some friend there to chat up, also trekking to the slopes. Maybe forty percent of the time I was on the bus I was stoned.
I wasn’t stoned now. Sitting with my heels dug in the ground and my toes to the sky I was starting to regret that. I had walked about a mile through steep icy streets to get to a bus stop I’d never been to before. I was on my way to the fire station a town over to get a covid test. My new roommate had been randomly tested at her guest services job and come up positive.
Even though it was two p.m. and I was nineteen, I walked into a bar down the street. I was wearing my ski instructor jacket, this big obnoxious blue and yellow thing with about two dozen pockets. No other instructor really wore it 24/7 the way I did, but it was way warmer than my own coat. I wasn’t sure if that made me seem younger or older, but I was hoping confidence would carry me to a warm bar stool and some conversation. The bartender was young underneath her crow’s feet. I handed her my ID, which I’d found abandoned in a house I moved into a year ago. It said I was twenty-five with blue eyes and about four inches taller than I really am. I could tell she was deciding to let it slide when she asked “So what can I get for you?” I ordered a rum and coke and then made it a double.
There was an old ski bum at the end of the bar, two or three seats down from me. He and I got to chatting, about vietnam and the times he spent living in his van in the parking lot of some ski resort in Utah in his twenties. I told him how I moved across the country to be here because I couldn’t take another semester of online classes. How I had figured something about not wanting to be the type to get stuck. He said it was a good shake that I was making good use of this weird time, and I let him know that he’s lucky he’ll be dead soon.
After another rum and coke (a single this time, tall) and a generous tip, it was time to catch my bus. Stepping out onto main street gave the effect of stepping into the sky. White sunlight glared off the low white roofs and white curbs of the snowy street, and bounced off the peaks on all sides as if off the tanning mirrors held to a vain starlet’s face. I climbed onto the bus and sat at a window seat in the back.
The driver dropped me off with no fire station in sight. I ambled, eventually climbing a gentle hill to find a line of people waiting on the sidewalk. Parents and children, other resort workers in their red liftee jackets. I saw a cook from my work go- up to the desk and tell the EMTs there that her name was Tracy. I only knew her by Amanda. When it was my turn I filled out my information, writing down a fake contact phone number before stepping aside to wait.
Any buzz left from the rum fizzled away as the man sitting at the folding table slid the advisory sheet across the white plastic to me.
I slumped dejected down into one of the folding chairs bordering the room. I felt fine. I was weighing the odds I could convince them to let me take another test to really be sure I had it. It was when I stood to slip back into the dwindling line that the EMT who tested me asked what the hell I was still doing here, not unkindly.
“My bus doesn’t come til six”, another two hours.
“Where are you headed?”
“Back to WinterPark”
“We’re wrapping up here soon, we can give you a ride”. He motioned between himself and the EMT standing at the table across from him, a red-head with a crooked nose.
“I tested positive, you know. Like, I have covid.”
“Pshah, we’ve got antibodies”
So half an hour later I found myself climbing into the passenger seat of their truck. It wasn’t a firetruck, but it was red. Riding with strangers did not feel particularly smart. But I reasoned that they were firefighters. The red head, his name was Sean, was driving. Without his mask on I could see his mouth hung sweetly in a smile too big for his face. I was mapping the constellations in the freckles on his neck while Dillon leaned forward over the center console from the backseat, his arm slung around the back of my headrest. We were driving into a sky that was just starting to consider setting, and from the height of the Ford the windshield seemed to hold the world. Dillon was telling some story about the time new uniform issued suspenders left the whole crew’s pants sagging, Sean was chortling into the rearview and arguing over who it was that actually managed to get the dime into the Chief’s ass crack. The truck never veered as we zoomed along the winding highway.
I was asking about what it was like to fight actual forest fires, and they were telling me about how they got out here. They told me they’ve been buddies since they were 17 living in Montana. They told me how ironic it was that they were firefighters, considering how much they hated the government. They commiserated with me about the hardships of a first season out here. They told me, too, about the year they spent hitchhiking across America.
“It’s a sick way to travel, everyone should do it, people are kinder than we think.” I rolled my eyes, just a little bit. This was probably the fourth time in two months that I’d received similarly tone-deaf advice from some man to a teenaged girl about how solo traveling or living in your van was actually, like, totally way safer than people think.
“Hah, that might be easy for you to say.”
“I mean it, people hitchhike out here all the time. Chicks too,” Dillon added pointedly.
“Really?” I said, “I feel like I don’t ever see hitchhikers around here”
“Right! That’s because they get picked up so fucking quick, you wouldn’t see em!”
“Of course,” Sean added “It’s best when you do it with someone else”
“For safety?”
“Sure, yeah, but for companionship mostly”
“The road is a lonely place,” Dillon conceded.
I was sad to see my apartment complex roll into view half an hour later. I thanked them again for the ride, and stalked up the icy concrete steps to my apartment to isolate, with a lot to think about.
* * *
We spent two hours on the buses, changing lines three times. Francesco brought a book to read, joked that he wasn’t sure if I’d be boring. It stayed tucked in his bag at our feet as he told me about his home in Italy, as we talked about what traveling meant for our relationships with our parents, what it meant for what we wanted out of life.
When we climbed off at our last stop, giggling out our Mahalo’s to the driver, we were a forty minute walk from the nude beach we’d heard word of. Most places worth getting to aren’t on the bus lines. We set out walking with our bags slung over our shoulders, his surfboard tucked under his arm. He rolled cigarette after cigarette for us. Here and there we’d come upon a rusted out car, wheels gone, vine growing into the hood. Dusk was approaching. We needed to get there before dark or we might never get there.
* * *
I spent ten days sipping raspberry tea and going on long walks in the woods behind my apartment. I’d spend three or four hours pacing under towering pine trees, climbing steep inclines and descending into valleys, rolling up the sleeves of my coat, trying to soak in some vitamin D. On one of my walks, I passed a house being built. Men were hammering away on the roof, and as I walked by a german shepherd took notice of me. It followed me for miles down the road. I wasn’t sure if she felt I had intruded on her territory, and I worked to keep my distance. I was happy for the company.
My apartment felt smaller each day. I scribbled incessantly in my sketchbook, I read the backs of my shampoo bottles and my soup cans. I cleaned my bathroom, sprayed my mirror with windex and watched it dry completely in a white film over my reflection. Really it wasn’t my bathroom, or my apartment. When I lost the ski-instructing gig, I’d lost my housing too. I had hidden my two suitcases when they came for the move out inspection, and had been squatting ever since. Under a ceiling inching closer to my nose each night, I dreamed up grand escapes. Sitting on the roof outside my bedroom window I watched the sky and imagined I could make out the dome of my snowglobe, wondered if my skull was hard enough to crack its frosted surface should I jump high enough, wondered if I’d land among the stars or just down to Denver.
My first day out of quarantine, I’d thought about it enough. My snowglobe didn’t feel whimsical anymore, it felt suffocating. I was certain if I didn’t move my body my joints would atrophy stiff, cementing me into place here as another figurine in the landscape, bundled against the cold. I stuffed one of my dozen pockets with tip cash and some cliff bars, and then there was the matter of the knife. I’d ride down U.S. 40 to U.S. 60., stay in Denver for the night – be back in time for my first shift back at Goody’s in two days.
It was on the bus ride home from the hardware store that James texted me, asking me if I could please come in tomorrow morning. Charlotte had just tested positive.
I didn’t have enough time to get to Denver and back anymore.
I didn’t have the heart to let that stop me from exercising my muscles.
I pulled the yellow overhead wire to signal the Lift to let me off at the next stop, the parking lot of the dive bar where I’d watched a bar fight between a line cook and one of my fellow baristas a few weekends ago. I found a nice wide section of shoulder. There I stuck out my first lone thumb.
I pulled open the passenger side door of the sedan. A preschool teacher with her hair piled into a bun sat in the driver’s seat. “Where ya headed?”
“West”, I said, sliding into the seat. The opposite direction of the pass that would snake me down to Denver.
An hour and a half and three rides later, I stepped out of a black SUV in front of the Granby Public Library. I wandered inside, eager for something to read besides the sodium content of Campbell’s soup.
Sitting at my gate, I tucked my bag between my legs. I didn’t have any suitcases this time, just the one backpack. Tank tops and swim suits took considerably less space than sweaters and snow pants.
It had been a month since I’d let Ronnie give me a hickey on my right tit while Finding BigFoot played on his roommates T.V. The season was ending, and my neighbors were going to Puerto Rico. One of my roommates had already driven off to Utah in her boyfriend’s van. The other was moving to Korea to teach English. Ronnie was going to be a white water rafting guide for the season.
It had been two weeks since Ronnie had driven me and my two suitcases to the greyhound station, and kissed me at my stop. The kiss came in quick, and caught me by surprise. I was a little bit proud of him. It had taken an hour for him to build up the courage the first time, and our teeth didn’t clack together even a little bit this time. He asked if we’d ever see each other again, and I said “Maybe in another life”.
I sat down at the window, across the aisle from a man in an orange beanie.
“That your boyfriend?”
I made a noise close to a guffaw.
“Not anymore I guess,” The man laughed.
As the greyhound careened down the pass, I soaked in the views of a place I knew I’d likely never see again. I didn’t have a plan for the summer. I cracked open my beaten copy of “Barbarian Days: A Surfing Life”, the one I’d checked out from the Granby Library and never gotten around to returning. I get car sick when I read on the road, but to distract from my escape from a world I hadn’t meant to find, I was willing to risk it. As we rumbled towards Denver and my flight home, I dove into the world of a surf bum’s memoir.
It had been a week since I sat in my childhood bedroom for the first time in months, all pink and purple, and reached out to search for any tethers. Finding none – no job, no boyfriend, a bank account padded by a few months of being home-free, I bought my ticket. Honolulu. One way.
* *
We came upon a busier road and, grinning toothily at each other, each threw a thumb into the air. We waved at and twirled for the cars, throwing shakas in acknowledgement to the ones that passed us. In ten minutes we were walking towards the brake lights of a white pickup truck, hand in hand.
-
How long are we going to keep doing this?
painting: “Home Again” Acrylic. Sarah Rooney.
Two suitcases and a stolen twin and fox sightings
One backpack and a stray cat’s cot and the coqui frog’s lullaby
An open concept closet and a queen to myself and these big stupid gorilla armsI keep my window open at night
Take the trash out barefoot
Keep my bare toes used to the gravel
Make sure my hair remembers the taste of open airA closet and a microwave
and tall ceilings and candle sticks
Deadlines and dead air
And these big stupid gorilla armsTwo suitcases and the easy smile of now
A backpack and no where better to be
Sand for a pillow and arms light enough to lift in the breeze
heels that just whisper kisses to the groundI keep my window open at night
Listen to the ivy’s giggle
Tickled by the breeze
Dream skys open and roads woundI keep my window open at night
Lay my head heavy
Wonder if the wind has forgotten me here
If it could still carry meWith these dragging knuckles
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Song of the Week: “Flaca” by Argentine Rocker Andrés Calamaro
From his 1997 album “Alta Suciedad” , or something like “high class trash“. Song of the Week: “Flaca” by Andrés Calarmo.
“Flaca” has been on repeat in my remaining right airpod for the past three days. It might be the perfect song. The beat never leaves you and the lyrics are like poetry.
It’s tone is one of a kind. A break up, a relationship retrospective. A dog without his bone. Sorrowful, celebratory. Something is lost and something else remains.
The lyrics stop halfway through the song, the horns hold our hand to the end. What more is there to say? Where do we go while the love remains? Here we are.
Flaca
No me claves
Tus puñales
Por la espalda
Tan profundo
No me duelen
No me hacen malLejos
En el centro
De la tierra
Las raíces
Del amor
Donde estaban
QuedaránGirl, don´t thrust
your daggers
in my back
so deep
they don´t hurt
they do me no harm.Far away
in the center
of the Earth
the roots
of Love
where they were
they remain.I am having a boat load of fun listening to Spanish music. A whole new world of music that I never thought I’d be discovering. I’ve been deep in great Tejano singers of the 80’s, and I’m so so excited to be breaking into Spanish Rock. Rock music is my favorite genre. After discovering the 80’s in Spanish, now I get to re-discover rock n’ roll! I am so grateful.
-
Boathouse
Good morning daylight
And the sail laid on the hill side to dryThere’s a soft cat whose tail sways from the skylight
And a glimmer in God’s eye

